Petroglyph Anomalies of the American Southwest


by Gary A. David
Copyright © 2002-2016 by Gary A. David. All rights reserved.
No photos may be used without permission.

Email: garydavid52@hotmail.com


Petroglyph map at Homolovi near Winslow, Arizona
Rock face is parallel to the Little Colorado River, which is a mile or so to the east.
Left side of photo is oriented to the south, right is to the north.
Rectangle with cross represents pueblo.
Footprints show the migration route to the east side of the river.
Petroglyph depicts the three major river bends in the vicinity.


Homolovi IV and III pueblos on west side of Little Colorado River;
Homolovi I and II on the east side.
The two 1280 AD settlements (Homolovi I and Homolovi III) located nearer the river
indicate the Great Drought that occurred in the last quarter of the 13th century.




Homolovi State Park near Winslow, Arizona


Is this the depiction of a triangular aerial craft, a version of the Hopi paatuwvota, or "flying shield"?


Vesica Piscis, Homol'ovi IV, near Winslow, Arizona



Cottonwood Creek Ruin near Winslow, Arizona

White Crown of Upper Egypt



Is the figure on the right an Egyptian hedjet crown (front toward bottom), or is this just a coincidence?





Petrified Forest National Park, Arizona


Is this a blue heron stabbing a human? Note the pyramid shape below and to the left. Compare this with the phoenix sitting atop the benben stone at Heliopolis in Egypt.



Perry Mesa, Agua Fria National Monument, Arizona


Is this petroglyph symbolic of Orion, with the upper portion representing the belt stars and the lower portion the sword?





Symbol of Baal on offering table
c. 1300 BC
Hazor, Canaan (Israel)

Star with bird feet and tail, c. 1300 AD Petroglyph National Monument, New Mexico


Baal was the Phoenican god of rain, thunder, and lightning. Joshua burned down the city of Hazor, "the head of all those kingdoms," c. 1200 BCE. (Joshua 11: 10-13)

The petroglyph to the right may represent the eye of Sotuknang, the ancient Hopi sky god.


PRELIMARY INVESTIGATION OF OGAM
AT EL MORRO NATIONAL MONUMENT, NEW MEXICO


Go to National Parks Service web page re. El Morro National Monument in northwestern New Mexico. This is a major petroglyph site of both the prehistoric and the historic periods. (Read another article.)

"Ogam [or Ogham] is an alphabet, not a language, and it was used to render the Old Irish, the Pictish, the old Gaelic of Scotland and some other dialects such as Icelandic or Old Norse of the Shetlands and Orkneys, chiefly on tombstones but also occasionally in manuscripts and engraved brooches." Dr. Barry Fell ["A Response to Criticism: An Interview with Barry Fell," Marshall Payn, Exploring Rock Art, edited by Donald L. Cyr (Santa Barbara, California: Stonehenge Viewpoint, 1989, 1986), p. 78]


Ogam (?) surrounded by Egyptian-style cartouche,
El Morro National Monument, New Mexico


Any ogam experts out there? Please let us know if you have any ideas what this might mean. Email Gary David,  Thank you. The inverted "V" glyph to the left may be the Egyptian determinative for "to walk." (E.A.Wallis Budge, Egyptian Language: Early Lessons in Egyptian Hieroglyphics (New York: Dover Publications, Inc., 1983, reprint 1910), p. 34.]

Larger view of panel with ogam to the left

Stylized ogam?


This vertical stemmed ogam possibly spells F-D (marks on the right represent F, marks on left represent D). Old ogam (800-300 BC) lacks vowels, so this word is actually fad, meaning "distance."
[Source: Barry Fell, America B.C. Ancient Settlers in the New World (New York: Demeter Press, 1977, 1976) p. 194.] Has the actual distance number been rubbed out for some reason? Script at lower left of photo may be signatures of emigrants, but further research is needed to establish this.


Sun shield, swastika, and possible ogam letter
with snake superimposed


On lower right within curve of snake (or water glyph), the shorter horizontal line attached to the vertical line may designate M, or the Celtic term Mo, which means "elder, senior." [Source: Fell, ibid., p. 52, pp. 194-5]




Petroglyph of female, Homolovi State Park


This petroglyph near Winslow, Arizona carved probably about the late thirteenth century shows a female with poli’ini, or butterfly hair whorls (sometimes misdesignated as squash blossoms) on each side of her head. This photo link to the Cline Library Image Database at Northern Arizona University shows an early twentieth century young Hopi maiden from the First Mesa village of Sichomovi with the same characteristic hair style. These hair whorls or disks were sometimes represented by the Maltese cross, a symbol of fertility or virginity. (Both whorls from each side of the head are laid across each other at right angles to form the cross.) Of course, the Maltese cross is a Knights Templar emblem. In Mexico it is known as the Cross of Quetzalcoatl. It also occurs on pottery from the fourth millennium found at Susa, the capital of Elam (the biblical Shushan in present-day western Iran).





Petroglyph at Cottonwood Creek Ruin near Winslow, Arizona
(See article titled "Mystery Mesa" on this Web site.)


At the far left is the alchemical symbol of Venus. Above that are three circles connected by two horizontal straight lines. In his book The Rocks Begin to Speak, LeVan Martineau (Las Vegas: KC Publications, Inc. 1994,1973) states that two circles connected by a line signifies communication. Perhaps three circles suggest communication between the three figures to the right. Martineau also believes that zoomorphs do not necessarily represent horned animals but may instead connote direction. In this case the horns on the animal are pointed downward toward the snake. Does this mean that the three figures made a journey to the Underworld or spirit world?


from a 1989 article by Dr. Ali Akbar Bushiri
of Bahrain University,
published in Volume 18 of ESOP
(Epigraphic Society Occasional Publications)

Crescent on a vertical staff
with a circle or crescent at the bottom
Thanks to Steven Bartholomew
from his article "Phoenicians in Utah" on his Web site


The fact that this petroglyph (left) appears on the top of the same panel that has a Venus alchemical symbol reinforces the notion that this icon represents Inanna, goddess of fertility and love in Sumer and Dilmun (or Tilmun, now called Bahrain). Note what appears to be a triad of three natural holes above and slightly to the right of the petroglyph. Although inverted from the usual position shown in Dr. Bushiri's work (right) to represent "mountain," this triangle of holes may mean the same thing.


. The ET-like figure on the left is possibly Masau’u, Hopi god of death and the Underworld, holding hands with a human. The figure on the right may be a Soyoko (Ogre) Katsina, who has a snout with sharp teeth and a baton or bow in his left hand. This along with the Hu (Giant) Katsina found in Hopi cosmology point to the possibility that "giants in the earth" (Genesis 6:4) roamed northern Arizona.



Petroglyph of spirals and three-pronged truncheon
Homolovi State Park, Arizona
The sai origianted in Japan
but was also used in China.


Although the recent Hollywood movie "The Mummy Returns" shows two scantily clad female combatants of ancient Egypt using trident-like truncheons, this weapon is actually of Japanese origin. The sai is a blunt martial arts weapon used to deflect swords but may have developed from a farming implement employed to make furrows.

This petroglyph from northern Arizona shows the spiral on the left touching the instrument, its power continuing across the line to the spiral on the right. In rock writing the spiral represents a whirlpool or whirlwind but it also signifies a portal, vortex or interdimensional space of numinous influence.
A counterclockwise spiral refers to descending movement while a clockwise spiral means ascension. Perhaps the spiral on the left energizes the instrument whose origin is the Underworld. On the right-hand side the line of force dips (energy pauses?) before rising to the Earth's surface (the carved circle touching the arc at about a two o'clock position).

For more on a possible Japanese-American Indian connection, see The Zuni Enigma by Nancy Yaw Davis (New York: W.W. Norton & Company, 2000).


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